Fitim Makashi
Well-known Albanian actor of theater and cinematography.
Born in Gjirokaster on April 10, 1944. Finished his higher studies in 1967 at the High Institute of Arts in Tirana. For a long time Makashi worked as a lecturer at ILA and at the same time he had an engagement from time to time at the “Popular Theater”;
It will officially be the year 1978 when he will be appointed an actor in this Theater, the place where he continues his artistic career as an actor for about 10 years, exactly until the mid-90s.
During this time, Makashi performed a number of roles that left their mark on the theater stage, from which we can remember the role of the Teacher in “After the Last Exam”, the Director of the farm in “Those who are needed”, the role of Ben in “The Death of a Commissioner” “, Bedriu in “Lights of the stage”, Telhai in “Besa”, Filipovic in the play “Inspektori”, which is also held as his last role in the Theater.
Fitim started in the movies in 1967 with an episodic role of a sailor in “The Silent Duel”. Then, a year later, he stands out in the role of a partisan machine gunner in the movie “The Ambush”.
Other prominent roles by the actor Makashi are that of Petro Mara in “Conscience” (1972); The Attendant (1980); Musai in “Trails in blueness” etc.
The last role in the Albanian cinema will be the one in “Death of a Horse” in 1992. He is currently withdrawn from the stage.
His son is the well-known musician Redon Makashi.
MOVIES:
Silent Duel (1967)……a marine
Ambush (1968)…..Sulo, the machine gunner partisan!
Guerrilla Unit (1969)…..One of the three heroes at
Consciousness (1972) …..Petro Mara
The Alleys the sought the sun” (1975)…
“At the beginning of summer” (1975)….
“Illegals” (1976)…..
“In the middle of the darkness” (1978)….
The Intendant (1980) …….The Intendant
Trails in the Blueness (1981) …. Musai
Three Men with “Guna” (1985)…
“Pirate’s Cave” (1991)…
Death of a Horse (1992)…
Published on the Albanian Cinematography – Facebook page since April 2016 and revised in the following years.
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Albanian Cinematography since 2013
Reference: “60 years of National Theatre” / F. Slatina / page 101 / as well as a selection of online news.
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